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In the Case series, made in Los Angeles in the nineteen-nineties, I painted conceptual flowers as though they were captured for a moment on a scrap of paper, something you could tear away to reveal the pure white canvas. And theyre in a sort of space, but the space is indeterminate. Wheres the bottom? Wheres the top? Are the flowers inside or outside? Are they coming or going? |
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Case #29 1993 48 x 60 acrylic on canvas |
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Hawaii Noon
High
Noon Prints
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2000-2004
Case
1992-1999
Pointer
(prints) 1994
Flowers & Eden
1987-1991
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& Sunya
1981-1986
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1973-1986
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1973-1977
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1969 -1972
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